wholesale primitive jewelry supplies History of Mongolian Knife

wholesale primitive jewelry supplies

3 thoughts on “wholesale primitive jewelry supplies History of Mongolian Knife”

  1. john's wholesale jewelry The Hongshan Culture, which is about five or six thousand years old, lasted for two thousand years, is centered on the Liaosha, Laoha River, and Daling River in the Liaohe River in the Liaohe River. kilometer. Hongshan Culture is the Neolithic culture in northern China, also known as prehistoric culture. Hongshan Culture is a developed civilization distributed in the Xiliao River Basin in the same period as the Central Plains Yangshao Culture. The handicraft industry has reached a high stage, forming a very characteristic pottery and bone decoration art and highly developed jade -making process.
    1. The stone instrumental era
    The stone artifacts in this period are: grinding stone and fine stone tools, there are stone tools, there are four sides of the edges, the cross section is a rectangular grinding stone ax, stone pupa, and and the stone pheasant, and the cross -section, and the stone ax, the stone pupa, and the cross section, and the cross -section, and the cross -section. A glittering shovel appears, and the stone blade has a stone blade with stone pupa and bone handle knife. The bone handle of the Inner Mongolia Museum represents the level of the knife technology during this period. The stone blade is exquisitely processed, reflecting that its economic life is a combination of agriculture and animal husbandry.
    2. The Bronze Age
    The people to enter the Bronze Age from the Neolithic Age are inevitable for historical development. From the beginning of the Central Plains Shangdai to the beginning of the Western Zhou Dynasty, the vast northern grassland has already appeared in a complicated and unique bronze group. They are obviously different from the bronze wares in the Shang and Zhou dynasties of the Central Plains. These bronze wares are our country in my country Reflects of grassland nomadic culture developed in the northern region. Because this culture is similar to other cultures in the grassland of Eurasia in many aspects, it has attracted the attention of some experts and scholars at home and abroad. Due to the different times and regions, this grass nomadic culture must also be different due to the different times and regions. Bronze ". Through the unique and exquisite "Ordos Bronze" refracted the cultural accumulation of the development of nomadic civilization in the northern grassland, reflecting the short weapons, small tools and decorations that are easy to use for "riding" and horses that are convenient for "horses" and horses. Wait.
    It the history of the ancient metal weapons that must be mentioned here, the history of the knife and sword is the longest. The earliest bronze knife unearthed in China is a bronze knife of Majiayao culture unearthed from the Lin family in Dongxiang, Gansu, and has a history of more than 5,000 years. So far, the earliest bronze short sword was discovered, and it was unearthed at the Zhukaigou site of the Ikinhlo Banner in Ordos, Inner Mongolia, which is equivalent to the early stage of the Shang Dynasty. In the "Ordos Bronze", the bronze short swords are decorated with hollow balls or flat -shaped bells and round carved animal images in the "Ordos Bronze Ware". The shape of the short sword handle in the middle (tentacle) is mostly very realistic. Back to the first two birds; the decoration of the late short sword hilt is further simplified from abstract animals to double ring or single ring shape. "The head of the short sword handle has hole buttons. These holes should be very practical. It is deliberately set for the short sword's admiration, that is, most of these short swords may adopt the method of hanging on the belt directly on the belt. In addition, a considerable part of Configure wood or bronze scabbard.
    The excavation report on the excavation report of No. 60 Tomb of Maoqinggou Cemetery, Liangcheng County, Jining, Inner Mongolia includes: Jewelry and bird -shaped bronze belt mouth, a "tentacle -angle" bronze short sword and bronze ring on the left crotch. The location of these relics clearly shows that the bronze short sword relies on the waist of the bronze ring attached to the two bird pattern bronze ornaments and the bird -shaped belt buckle, and a small knife is hung very clearly in the meantime, which can also be used as one as one "Social evidence". The lower left side of the belt is a bronze ring, and the lower right side is the "tentacle -angle" bronze short sword. The configuration of this object is the same as the aforementioned. Due to the characteristics of the utensil itself and the differences in user clothing, habits, hobbies, etc., residents in different regions often form their own unique customs when wearing short swords, and affect each other. What is unchanged is the essence of culture. The single -ring rope is directly suspended, which is very suitable for knives and swords with a short length. Since it is not convenient to remove the rope directly on the belt, the ancient hazard is on one end of the rope. Turn into a larger bead, so that it not only increases the beauty of the saber, and it is more convenient to use. It only needs to be worn or uninstalled when wearing or uninstalled. This method of wearing the bronze short sword holder of the H herd is still in use among the herdsmen on the Mongolian grassland.

    3. It enhanced the ability of human transformation. The iron ware was further promoted during the Qin and Han dynasties, and finally replaced the bronze in the Eastern Han Dynasty. In the grassland of Eurasia, the nomadic people in the early iron era created the characteristic Skyttai culture and the Sarmata culture. Skai Culture is famous for its rough Skyto beast pattern. The "Ordos Bronze", which belongs to the northern grassland nomadic culture of the northern grassland, reflects the unique and exquisite shape of Skai culture. During the period, the representative knives and jewelry in the living craft jewelry is a belt. The belt is a belt that comes from the ancient northern nomadic people of my country. It is made of leather. It is different from the general belt. Multi -metal cards are made of a small camisole under each jewelry, and there are small metal rings under the suspender. This small ring is prepared for wearing debris. Usually, the items necessary for production and life must be carried with you. Large utensils such as accounts and cooking utensils are mostly tied to horses and camels. The knife stone, etc., can only be admired by the individual. This kind of belt is called a small ring, and it is called a band.
    In the Sui and Tang dynasties, it has continued to Song, Liao, and Jin, and there are still sporadic retention to the Ming Dynasty. According to the "Old Tang Book · Public Servant" records: "In the first year of the first year of the Yuan Dynasty, it was systematically systematically: Bags, still wearing knives, and littering, the military officers want to bring it. "Jingyunzhong also made: Ling Yi's story, with a hand towel, calculation bag, his knife, and hard stone below Yipin. The military officers have more than seven things above the five grades. Repeated from the beginning of the Yuan Dynasty. In the early years of the Tang Dynasty, the court used to learn from the northern national costumes and stipulated that civil and military officials band bands, but the nomadic life objects that were worn were also used by decoration. Later The Central Plains gradually disappeared. A Tang Dynasty Turkic Turkic Turbus was made of gold in the Tang Dynasty Turkic Turk in the Sinite Right Banner in Inner Mongolia and attached to the Turkic Nobility. The hunting life scene is a very precious and true and reliable information for studying the life customs of the Turkic Nomad nomadic nomadic nomadic nomads in the Sui and Tang dynasties. The golden sheath knife is slightly short on the right side. It is the golden sheath knife of the jade handle. The two -blade gold sheath is exquisite in workmanship. There is no carvings of the whole body. The overall is simple and beautiful. Its shape is almost the same as the tools used in Mongolia and Manchus in the late Qing Dynasty and the Republic of China. Obviously, this is the "knife" and "knife" in the "seven things", of which The longer one should be "a knife", and the shorter one is "knife".
    It is now hidden in the No. 4 to No. 9 of Kitakura No. 9 to No. 9, Nara, Japan. The physical treasure, the "National Treasure Account" in Zhengcang Hospital clearly records the title and concept of "knife". Most of the real objects are Japanese products of the Sui and Tang dynasties or the same period. The handed down knife of the embedded gemstone Tang Short Knife, "National Treasure Account" records this as "Mrs. Orange", which was purchased from the Tang Dynasty from the Tang Dynasty and then served as the temple. The two short knives of Emperor Shengwu Emperor are exactly the same. There is also a "knife" in the collection, both of which have a small knife in a total of a sheath, partly with wooden chopsticks. The shape and length of the knife itself are significantly different from the two knives of the Emperor Holy Wudi and the "Silver Plagful Gem Tang Short Knife", which is obviously another type of knife. The outer sheath system of these "knives" is very special. At about 10 cm, there are multiple storage spaces to store knives and chopsticks. Among them, all those named "Tenhe Sheath Royal Knife" are generally six knives. "Sheath Royal Knife" only stores three knives. This type of knife is obviously used by meals. The author believes that these knives should be a tool that flows into Japan during the Sui and Tang dynasties. The equipment of the utensils, not the product of farming culture. It is very similar to the tools on the ripples unearthed in China, and the chopstick knife tools used by Mongolia and Manchu. Products, many people still wear this thing in modern Mongolian people.
    "Liao History · Yi Wei Zhi II" is also recorded.针 苾, Jue Jue, syringe, fire stone bag, Wupi Liudi boots. Several of the tadpoles unearthed by the princess of Liao Chen Guo Jian Ma Jianjia Tomb were almost the same as the Turkic people. bring. Two worships hanging on the waist of the horse, one is the silver knife of amber handle, and the other is the jade handle silver knife. The two knives are equipped with gold and silver sheaths. Facial blade. The handle and silver sheath work are exquisite. The two silver sheaths are made of a long silver piece. The silver pieces are rolled into a tube shape. In the painting and tomb murals of Liao Dynasty, the Khitan's clothing is usually a robe left, round neck narrow sleeves, and pants. The waist is a ribbon, hanging gold jade, crystal and amber, as well as firestones, chopsticks, knives, etc. available at any time. Most men hang tools on the left lower left of the belt. This also fully illustrates the side of the Khitan people of the nomadic nomadic people. The "Old Tang Book" records, "Sword" in "Seven Things" should be interpreted as etiquette and wearing tools wearing tools, and "knife" is a small knife for daily life and meals.
    The early 13th century, Genghis Khan and his descendants established the great empire across Eurasia. In 1263, Kublai Khan Dingdu the capital (now the East of the Sinle League of Xilingule League in Inner Mongolia), and then changed to the summer. palace". In the eighth year of the Yuan Dynasty (1271), Kublai Khan entered the Central Plains to establish the Great Yuan Empire. In the ninth year (1272), Yanjing was called the capital (now Beijing). The Mongolian and Yuan dynasties were also a major integration of nomadic culture and farming culture. Due to the living habits and historical reasons of the nomadic people, the real objects that can be studied for reference during the Mongolian and Yuan dynasties can only infer the characteristics of life props from the existing very precious text and physical materials. The above -mentioned elements were damaged by all ages, leaving only a piece of rubble in the broken wall. Archaeologists found three sacrifice stone sculpture portraits from the site (see Figure 5). The costumes of the period have basically maintained the style of Liao and Jinbei nomadic peoples: robe left, narrow sleeves, waist tie -tie bands, but adding decorative patterns on the chest, shoulders and backs of clothing. The "蹀躞 Seven Things" strip of the utensils is simple and simple, and only hanging knives, knives, hand towels, cones, sachets, grinding stones and other items are left.
    The "Yuan Shizu Hunter Map" of the Taipei Palace Museum is now painted by Liu Guandao of the Yuan Dynasty. Liu Guandao's birth and death year is unknown. He is active in the second half of the 13th century, and is about the first year of the Yuan Dynasty to the first year (1264-1294). In 1280, this painting showed the scene where the Yuan Shizu Kublie was hunting. Several horses, or Zhang Gong shooting geese, or handheld falcons, or ropes with cheetahs, all hunting immediately. The characters and horses in the picture are exquisitely portrayed, regardless of their clothes and equipment, and their expressions are naturally vivid. Among them, those who ride black horses and wearing white fur should be the ancestor of the Yuan Dynasty. Sales. In the lower right corner of the screen, there are hand -holding black rifles, wearing a blue flying eagle hat, and a horse riding person with a horseman. There is still a black slave in Central Asia.

    The Ming Dynasty undertake all the Mengyuan, which can be seen from the living habits and costumes of the Zhu's royal family. The Ming Dynasty painting boutique "Ming Xuanzong Xingle Map", which is now collected in the Palace Museum, is silk, coloring, 211 cm long, 353 cm in horizontal. It is suspected to be the works of the Ming painter Shang Xi.
    "Ming Xuanzong Xing Xingle Map" has no seal. This picture shows the scene of Emperor Xuande's travel and hunting. There are many characters and detailed depictions. In the painting, a team of people came out of the palace and entered the forest of the forest. The trees on the slope are flowing, the streams are gurgling, and the birds and beasts of the forests are paired. The head of the Xuanzongju team, with a burly figure, graceful body, wearing a blue sable tip of a round hat, a red narrow sleeve jacket, a yellow gown with a yellow coat, a white boot, a waist tie, a sachet hanging on the left and lowering And the knife and so on. According to the literature records, the emperor in the early Ming Dynasty still retained the gold and meta -relics in daily life, especially the crown clothes during riding and shooting. In the picture, Xuanzong's costumes confirmed the records of the literature and did have the characteristics of "Hu clothes". The spire round hat originated from the "笠 子 帽" of the Yuan Dynasty. The unreasonable sleeve -free coat was called "Bigjia" in the Yuan Dynasty and was a hunting suit. Xuanzong's image is slightly greater than others. This is a common method of painting in ancient figure painting, highlighting the respect of the protagonist. The followers behind Xuanzong have different appearances, all of which have decorative patterns on the left, narrow sleeves, and the chest, shoulders, shoulders, and backs of clothing. The waist is tied. Many of them are hanging sachets and knife objects. This painting method is detailed, with strong color, and the combination of the saddle horse characters is active, showing the documentary expression of the Song and Yuan Dynasties's grassland's grasslands and horses. The composition of the work is tight, the scenery is wrong, the interspersed in order, the proportion of the background to the person does not fully meet nature, reflecting the unique understanding of the concept of space in ancient Chinese painters.
    The was built by the Manchurian of the Qing Dynasty for a woman's descendants. It followed the living habits of the nomads of the northern nomads. The clothing is still left -handed, narrow sleeves, waist tie or silk belt, and the princes and nobles are on the chest. The shoulder and back are retained with decorative patterns. Folk men also hang on their waist with crickets, fans, sachets, knives, glasses boxes and other items, which have both decorative significance and practical value. Although this period becomes simple or replaced by silk cloth, in terms of the production of tools and fire sickles, there are many tricks and superb craftsmanship. Essence From the perspective of the major museums and folk collection, the precious metal processing technology was quite mature during this period, silver inlaid gold, embedded stone planing jade, all showed colorful, delicate, and exquisite beauty.
    Mo Mongolian knife body during this period is generally made of high -quality steel, ranging from more than ten centimeters to tens of cm. There are various types of steel, silver, wooden, horny, bone -made, and some of them. Some are also filled with enamel and inlaid gems. And pay more attention to practicality, the scabbard increases the part of the ivory or camel -bone chopsticks. Most of the exquisite patterns and patterns on the surface of the knife handle and scabbard are mostly used by casting, beating, editing, carving, carving, and inlay. All kinds of ancient patterns used are cloud patterns, ribs, fire patterns, curls, eight treasures, plate intestines, flowers and plants, dragon phoenixes, flowers, birds, fish insects, animals, plants, etc. Essence

  2. wholesale fashion jewelry in dallas texas The Mongolian knife is one of the most representative gifts in Mongolian crafts. The Mongolian people believe in the sky. In the ancient legend, the beautiful longevity gained the Mongolians to the Mongolians' "Three Treasures" and "Three Little Treasures". The "Three Treasures" are: Mongolian bags, grasslands, cattle and sheep. Three little treasures are: Mongolian knife, Matouqin, cheese technology. The Mongolians have inherited the "six treasures" to this day. The exquisite Mongolian knife continues and records the courage, wisdom and glorious history of the Mongolians; today in the peaceful age, the Mongolian knife carries the desire for permanent peace, the artistic achievements of the Mongolians and the profoundness of the people of the motherland. bless. In the minds of the Mongolians, the Mongolian knife is a sacred thing given by Changshengtian, so it will bring good luck and peace to friends with Mongolian knife. The Mongolian knife is the most typical crafts in the Mongolian. The Mongolian knife is not only a Mongolian adult man's body or slaughtering cattle and sheep, and a must -have for grasping meat, but also an indispensable unique decorative artwork. The Mongolian man wore a Mongolian knife on the right side of the belt and hung with snuff bottles and fire sickles. It looked particularly prestigious, showing the male and chic character and style of male martial arts. It is said that women who do not wear a Mongolian knife, women look down on. The Mongolian knife is not a tool for fighting, and rarely fights with a knife in pastoral areas.
    Meng knife is the living utensils of Mongolian herdsmen. Eating meat, slaughtering beef and sheep, sometimes it is also used as a production tool. It is often worn on the body, which is not only an indispensable daily necessities for herders. The knife body is generally made from high -quality steel, ranging from more than ten centimeters to tens of cm. The steel fire is good, and the edge is profitable. The knife handle and scabbard are very particular. There are various types of steel, wood, silver, horns, and bone systems. It is also equipped with a pair of beast bones or ivory chopsticks. It is both a practical tool and a very decorative craft.

  3. wholesale net jewelry bags The Mongolian knife body is generally made of high -quality steel, ranging from more than ten centimeters to tens of cm. The handle and scabbard include steel, silver, wooden, horny, bone system and other types. There are exquisite patterns on the surface, and some are also filled with enamel and inlayed gems. The camel -painted sheath Mongolian knife developed and produced in recent years has become a craftsmanship, which is sold well overseas. There are also exquisite and practical horseshop scimitar. There are many types of Mongolian knives, different shapes, and different sizes. Mainly used to kill sheep and eat meat, and it is also a man's decoration. Men who do not wear a Mongolian knife, women look down on. But the Mongolian knife is not a tool for fighting, and rarely fights the knife in the pastoral area. Mongolian silverrs' best technology is to do knives. The blade is made of steel, and the handle is made of horn and mahogany. The former Mongolian knife is more complicated, practical and beautiful than it is now. There are holes in the sheath, which can be inserted with ivory or camel -bone chopsticks. There are rings on the sheath, and the rings are dotted with silk rings. There is a ring with a rim of silk threads that can be hung on the hip; one end with a bow, the ears below; the other is Breler. Beller is a round ornament of silver with patterns on it and coral beads embedded in the middle. The Mongolian knife is also embroidered with satin. The scabbard is made of gold, silver, and copper. The dragon, tiger, animal head, and moisture pattern are carved on the top of the head of the ivory chopsticks. Folklores can be tried to use it. Ke./view/204499

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